March was a very busy month for me. Aside from the usual Monday night choir rehearsals, I’d managed to book something almost every evening as a way to distract myself from the political shambles that is Brexit, which we all know was due to happen at the end of the month. It seems to have done the trick because it’s now April and nothing seems to have changed…
Anyway, for me, March consisted of a choir performance with Kensington Singers where I had a solo 😱, going to a couple of recordings of QI (one of which was the Christmas special – I know, this is March), watching some films from the Banff film festival, dinners out, a comedy night, joining the Put It To The People March, working on 6 Music Festival as a video publisher, trying out the Pandemonium Drummers, and somehow I still managed to fit in 8 evenings for a pop-up volunteer choir to perform a piece called the public domain by David Lang.
Wow, that was a long sentence. I said I was busy!
I heard about the opportunity to sing at this special event from my conductor at Kensington Singers, who had posted a link to it on my choir’s Facebook page back in December. The sign-up page looked like this:
Be part of something big this spring, as 500 people from all walks of life come together for a once-in a lifetime performance at the Barbican Centre.
Whether you’re a first-time singer or regular choir member, the London Symphony Orchestra and Choral Director Simon Halsey are inviting you to join over 500 people from across London to perform the UK premiere of David Lang’s the public domain. As a vocalist you’ll sing, whisper and chant together under the guidance of a dedicated vocal leader, telling a story through sound and movement and drawing together shared experiences into an exhilarating and exciting performance.
The three groups will then come together for two final rehearsals, before the piece is performed live in the Barbican foyers on 24 March 2019 as part of a London Symphony Orchestra performance.
I couldn’t quite imagine what it would sound like, but it seemed like an exciting opportunity, so I signed up! There were different rehearsal groups that we could sign up for: I picked the group that rehearsed on Tuesdays and Thursdays because that fitted best with my schedule.
Continue reading “500 Voices at the Barbican”